In anticipation of the George Clooney film, “The Monuments Men”,
which opens next month, I thought this may be a good time to discuss the book
it was based on: "The Monuments Men: Allied Heroes, Nazi Thieves, and the
Greatest Treasure Hunt in History" (September, 2010) by Robert M. Edsel.
When most of us think of World War II, the far-ranging impact that
the war had on Europe’s cultural and artistic legacy doesn’t immediately come
to mind. “The Monuments Men” tells the story of a small group of men and women
from several countries who worked together to preserve this legacy, without the
help of which some of our most prized artistic treasures would have been lost
forever.
I thoroughly enjoyed the first portion of the book, which deals
primarily with the development of the MFAA, the idea of which pre-dates
America’s involvement in the war. I quickly found myself becoming entirely vested
in the question top museum directors in the United States posed regarding the
impact a war could have on cultural, historical and artistic treasures and how
they took the initiative and held meetings to discuss what they could do should
the war come to us.
The MFAA at its height boasted approximately 350 members from all
levels and disciplines within the art community: museum directors, pioneers in
conservationism (a new art at the time), curators, art scholars, artists and
architects, but at its inception, there were fewer than 12 MFAA men on the
ground in France. Edsel tells the story of those men and their struggle to
perform the tasks they faced within an Allied Army that initially didn’t know
what to do with them and how they overcame the limitations of supplies and
transportation.
The remainder of the book includes chapters focusing on the following:
Monte Cassino, the Benedictine Abbey in Italy destroyed by controversial Allied bombings in February of 1944. |
The saving of the Bayeux Tapestry. |
The theft and ultimate recovery of Michelangelo’s “Bruges Madonna” – rumored to be the only piece of sculpture to leave Italy during the artist’s lifetime. |
Jan Vermeer’s “The Astronomer" |
Jan van Eyck’s “The Ghent Altarpiece” |
The near destruction of Da Vinci’s “Last Supper” in Milan, Italy. |
· Edsel also details several of the most well-known Nazi art depositories:
Merkers Salt Mine – This is where the Nazi gold reserves and most of their artistic treasures were hidden. |
Altausse Salt Mine - This mine needed to be dug out as most of the tunnels were collapsed in a bid to save the artwork from Hitler’s Nero Decree. |
Neuchwanstein Castle (aka Mad Ludwig’s castle) took the MFAA approximately six weeks to remove all of the artwork stored there. |
Edsel provides an update on the status of the artwork in the final
chapters of the book which includes a short list of major artworks that are
still unaccounted for (approximately 10,000 pieces), including the personal
collection of SS Chief Heinrich Himmler (rumored to have been burned), the
Amber Panels of Peter the Great (looted from the Catherine Palace in St.
Petersburg and believed to be destroyed) and Raphael’s “Portrait of a Young Man”,
said to be the most important piece missing. Out of curiosity, I Google imaged
Raphael’s painting to see if there was a photo of it somewhere and there was a
hit for a short article stating that in 2012 the painting had been discovered
in a bank vault and had recently been returned to Cracow, Poland.
Raphael’s “Portrait of a Young Man" |
Edsel has also written: “Saving Italy”, a companion book to “The
Monuments Men”, and “Rescuing Da Vinci”.
Anyone who wishes to learn more about the Monuments Men, please check out: www.monumentsmen.com.
Anyone who wishes to learn more about the Monuments Men, please check out: www.monumentsmen.com.
The film is expected to be released on 7 February, 2014.
Jenn
White
White
Rooster Studios
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